Triptych: Development

In order to ensure I got the best shot of my chosen items, I originally experimented with both a light and dark backdrop. The dark backdrop was rather difficult to work with, and because I wanted a textured background for the item to be sat on, the lighting became difficult for me to alter for the larger item.

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With the lighter background, the lighting became easier to alter. Because the background was rather faded, It had a negative effect on the item, making them darker and losing a lot of the detail.

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I wanted to make sure The final images I took were as high a quality as I could possibly get, and so spent a good few minutes altering the ISO and exposure, but as I had to use artificial light to gain the result I was looking for, It was hard to get a decent result. I moved the lamp multiple times, holding it closer, further away and making it direct.

It was then I decided to use different backgrounds for each item. I noticed that one of the items looked better with a brighter coloured background, where the others stood out on a darker one.

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Triptych Research: Found Object Photography

ROGER CULLMAN

“Roger Cullman is a Toronto-based independent photojournalist. Roger is currently booking editorial, portrait, wedding and corporate event photography for Autumn/Winter 2015 and beyond.

Having first discovered photography as a child at art camp, I grew up with a rich visual palette and vivid imagination. When digital photography came along, I was among the first to embrace it, igniting my passion for visual storytelling.”

Roger Cullman’s Website

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What struck me about Roger Cullman’s work was how relatable the images are. We have all either lost something, or spotted something on the floor and thought nothing of it, and that makes these lost item’s rather beautiful. Without touching or snooping, Cullman has made old and unwanted items into something many people admire as an art form. The natural backgrounds match the worn down items, and as each item is photographed, it is clear that whether or not the objects return to their owner is irrelevant, as this gallery has taken something disgruntled and made it admirable. Without searching far and wide, I feel these images would be easy to replicate with my own findings.

 

References:

Cullman, R. (2004) Roger Cullman Photography. Toronto, Canada. Available from http://http://rogercullman.com [accessed 13 April 2016]

Triptych Research: ‘Pictures From A Rubbish Tip’

Keith Arnatt

“Pictures from a Rubbish Tip 1988–9 is a series of five large colour photographs by the British artist Keith Arnatt featuring close-up shots of rubbish that has been dumped at a local tip. In each photograph, the lens focuses upon select pieces of discarded food – such as bread, chicken bones and vegetables – that lie on clear and pale-coloured plastic bags. … Each is presented at an apparently fixed distance from the camera and this, as well as the similar lighting effects used across the five works, creates a sense of cohesion in the series…

In this way, the discarded, mouldy food items can be seen as objects of beauty when presented in a different setting, especially when using framing techniques, colour and lighting and that enhance the visual appeal of the images… In a similar way, by focusing on food items that have been discarded en masse, Pictures from a Rubbish Tip presents the wastage and excess that characterise modern consumption, although Arnatt shows these objects in a manner that simultaneously emphasises both their beauty and their decay.” – Tate Exhibit Summary

   Pictures from a Rubbish Tip 1988-9 by Keith Arnatt 1930-2008 Pictures from a Rubbish Tip 1988-9 by Keith Arnatt 1930-2008arnatt6_b

Looking at his work, Arnatt focuses on taking discarded and unwanted items and changes their meaning. Items many people would ignore have been made into something new, changing their context and making them into a piece of art. Although the idea of deliberately visiting a dumping ground its less than ideal, his dedication to showing off certain foods that have been discarded enhances the effort that has gone into both the production of the photo, and the editing. Some of his other work focuses on objects rather than decaying food.

References:

Arnatt, K. (2009) ‘Pictures from a Rubbish Tip’, Keith Arnatt | Tate. London, England. Available from http://www.tate.org.uk/art/artworks/arnatt-pictures-from-a-rubbish-tip-t13171 [accessed 13 April 2016]

Appropriation Image 3: With Death Comes Life

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Inspired by a story I heard on a podcast, I stood away from forming any idea as detailed and gruesome as Aled Pardee’s work, but still wanted to stick to the idea of taking something ‘disgusting’ and making it look attractive. Roadkill or the death of wild animals, be them small or large, is commonly seen amongst peoples everyday life, and is never a nice sight to see. On finding the original picture, I took the bird’s body from the boring and undignified place of its passing and gave it new life (metaphorically speaking of course). The blank background emphasises the bright colours, which contrast the lifeless object and its bland colours.

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Appropriation Image 2: SOS

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Again, I took to social media to find an image and change its meaning. My sisters partner shared this photo on his Facebook page joking he wanted to look ‘edgy’ and ‘free spirited’, an expression that made me laugh. To me, this image made him look lost. On discovering the two different meanings taken from the image, I chose to edit the photo to make it seem less ‘free’, and began cluttering the area surrounding the man and separating him from the open space. To do this, I created barriers between him and the sea, and also altered the colour, making him seem faded and unclear, yet keeping the open sea rather obvious and open. Confining the design to one part of the image, rather than covering the entirety, adds to the idea of this figure being lost and feeling separated from the wide open space left around him.

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